Shea Owens

"His vocal quality is stunning, with all the richness of a well-rounded baritone voice but with a striking brightness that thrills, particularly in his upper range."

"Shea Owens, though still a young man, seemed to walk onto the stage an artist fully formed; perhaps even a star. He exuded confidence and charisma that put the audience immediately at ease, and unfurled a handsome baritone with a shining top."

ERIC MYERS, OPERA NEWS

Biography


With a vocal quality described by Opera Today as “stunning . . . with a striking brightness that thrills,” American baritone Shea Owens is quickly gaining a reputation as a confident and charismatic performer. In the 2019-­2020 season, Mr. Owens continues his Ensemble work with Theater St. Gallen, with roles including Valentin in Gounod’s Faust, Agamemnon in Offenbach’s comedy Die schöne Helena, and Gaveston in George Benjamin’s Lessons in Love and Violence, among others. In the 2018-­2019 season, Shea Owens joined the Theater St. Gallen as an Ensemble member, performing Belcore in L’elisir d’amore, Ottone in L’incoronazione di Poppea, Prinz Iwan and Des Kaisers Kammerherr in a double bill of Rimsky-­Korsakov and Stravinsky’s Der unsterbliche Kaschtschei and Die Nachtigall, respectively, and staged performances of Haydn’s The Seasons.

In the 2017­-2018 season, Mr. Owens performed Marcello in La bohème at Theater St. Gallen in Switzerland, and returned to the Grand Théâtre de Genève for Wagner in Faust, also covering the role of Silvio in Pagliacci. Additional projects included Charlie in Three Decembers opposite Frederica von Stade with Livermore Valley Opera, Seneca in Jonathan Dawe’s Nero and the Fall of Lehman Brothers with the Montréal-­based company Ballet-­Opéra-­Pantomime, and Carmina Burana with the Altoona Symphony in Pennsylvania.

Recent projects included his European debut as Colonel Ricci in Sondheim’s Passion with Natalie Dessay at Théâtre du Châtelet in Paris, Marcello with the Grand Théâtre de Genève in Switzerland, Junius in The Rape of Lucretia, the title role in John Musto’s Bastianello, and Pacuvio in Rossini’s La pietra del paragone, all with Wolf Trap Opera; a return to Utah Opera for his role debut as Cascada in The Merry Widow, as well as a duo recital with Dina Kuznetsova entitled “From Russia to Riverside Drive: Rachmaninoff and Friends” under the auspices of the New York Festival of Song and the New York Philharmonic.

In addition to operatic and concert work, Mr. Owens also enjoys doing community outreach performances. He performed hundreds of shows for school children as a young artist with Utah Opera from 2012-­2014. One of his most memorable outreach concerts was in 2016 in collaboration with Wolf Trap Opera and Taffety Punk Theater Company in order to raise awareness about violence against women.